No matter how much time has passed — a week, months, or even years — starting again after a long break is never easy.
After taking a break from polymer clay to focus on school, I quickly realized how out of practice I felt when I came back to it. If you’re considering of picking up clay after time away, in this blog, I share five tips that have helped me overcome self-doubt and rediscover my confidence in sculpting.
Tip #1: Reflect on Why You Began Sculpting with Clay
When I first discovered polymer clay, I was hooked by the ability to bring my ideas to life through clay. Taking a few moments to reflect on why you started clay sculpting in the first place can help ease you into sculpting with a positive mindset. If you need further guidance, set aside some time to answer the following prompts:
1. What does “clay sculpting” mean to me?
2. What kind of art do I miss making out of clay?
3. How can I incorporate sculpting into my week?
4. What rules have I silently placed on my creativity?
5. What does my inner child want me to sculpt?
Tip #2: Prep Your Materials
Depending on how long it’s been since you last sculpted, you may need to track down your clay supplies. If you’ve moved or misplaced them along the way, it might be worth investing in a fresh supply of clay. I’ve personally always enjoyed stocking up on new Sculpey polymer clay at my local crafts store. For tools, I like to have the following three on hand: a needle tool (or a toothpick), a rolling pin, and an X-acto knife. There are plenty of other instruments that could be used when sculpting, but if you’re just starting out after a long break, this will be enough to get you going. Lastly, before beginning, take a moment to check that your clay and tools are in good condition. Clean or replace anything that’s worn out so you can start with a workspace that feels organized.
Tip #3: Ease into Sculpting at Your Own Rate
It can be tempting to make up for lost time by creating as many pieces as possible. However, diving in too quickly can lead to burnout. What has helped me most to avoid burnout was focusing on one project at a time and seeing it through to completion. For example, this could include recreating a clay piece you previously enjoyed sculpting. That said, if you thrive on creating multiple pieces at once, follow the rhythm that works best for you.
It’s also helpful to set aside a consistent time for sculpting. I find weekends easiest, but you may prefer a quiet weekday evening. Whatever you choose, select a time that fits naturally into your schedule, to avoid being overwhelmed.
Tip #4: Start Simple
If you’re struggling with what to sculpt out of polymer clay, begin with some simple pieces. Try these three warm-up exercises to loosen your hands and rebuild your confidence.
1. Set a timer for 5 minutes and sculpt the first thing that comes to mind.
2. Find a photo and recreate one or more of its elements.
3. Sculpt your favorite food/animal/plant etc.
Tip #5: Avoid Comparing Yourself to Other Artists
Finally, it’s natural to compare ourselves to others, especially when just returning to sculpting after a long break. Instead of measuring your progress against someone else’s, consider stepping away from social media and stepping out into the real world.
If you’re searching for inspiration, try going for a walk or spend some time outdoors. Some of the best ideas surface when we’re relaxed and not actively forcing creativity. Personally, I find endless inspiration in nature, especially in the changing seasons, which often influence the designs of my polymer clay pieces.
After taking a few years to focus on my university degree, I too have struggled with reconnecting with clay sculpting. Not only did I feel out of practice, but so much of the clay world has evolved, with new trends and styles emerging during my time away. However, by applying these tips, I was able to rediscover my unique style and rebuild motivation to sculpt regularly. I hope these tips have encouraged you to get back into clay sculpting, one of the most unique and creative art forms available.
